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It’s also a story about grief Lisey has spent the years since Landon’s passing more or less alone in their Maine farmhouse, while also managing her mentally ill sister Amanda (Joan Allen), and trying not to throttle her brash and opinionated other sister Darla (Jennifer Jason Leigh). He is convinced that his favorite writer, the late Scott Landon (Clive Owen), had unpublished works that need to be released posthumously for the betterment of the world and tries pressuring Scott’s widow Lisey (Julianne Moore) to release the goods with verbal and physical threats. It’s a story about an obsessive fan, a woman-hating (presumable) incel known as Jim Dooley, played by Dane DeHaan. Inspired by his wife, the writer and literacy activist Tabitha King, and her decision to clean out his office while he was recovering from a near-fatal battle with double pneumonia-and King’s own realization that these empty walls and boxes of materials would be exactly what the room looked like after he did pass away- Lisey’s Story the book, as well as the eight-part miniseries for which he created and wrote every episode, is really two stories in one. Stephen King has long maintained that Lisey’s Story, his 2006 horror-romance novel about the grieving widow of a best-selling writer, is his favorite in his extensive oeuvre.
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But ultimately, while the series is charming and O’Grady is a knockout, Little Voice is still largely looking for its own “it” factor.
The show hinges on the viewers’ desire to see Bess succeed, and to ride her rollercoaster of two steps forward and one step back as she navigates the tricky landscape of the music business-the strong supporting cast helps this immeasurably, as do the snappy 30-minute episodes. The pair ensure that Bess’s songs are beautiful, charming tunes that you may just find yourself humming along to long after you’ve finished watching the series. The series was created by Sara Bareilles and Jessie Nelson, the duo behind the Tony nominated Broadway musical Waitress, another story about a woman who wanted more out of her life.
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Unfortunately, her life is full of serious distractions. Bess needs the dumb luck that can propel her, if not to fame, to a place where she can support herself through her music. But as we all know, that often isn’t enough. She always has her notebook with her so she can jot down a lyric whenever it comes to her. She walks dogs, bartends, teaches piano, and performs Sinatra tunes at nursing homes all while writing, composing, and performing her own original songs. In Little Voice, aspiring singer/songwriter Bess King (Brittany O’Grady) is living in New York, trying to break into the music industry and juggling many, many side gigs. And for Apple TV+’s low monthly fee (currently $4.99), it’s worth jumping in for the very best shows, including the aforementioned break-out juggernaut Ted Lasso, the murder mystery The Afterparty, and the sci-fi thriller Severance.īelow, we’ve ranked 25 notable originals, minus the documentaries and more kid-oriented programming (like Helpsters and Ghostwriter, which we weren’t thrilled with anyway), but we did keep Snoopy because Snoopy is a national treasure and his series on Apple TV+ are genuinely very good. They’re not all great, but at this rate, we’ll soon be able to forget The Mosquito Coast ever existed. The early criticism that plagued a lot of its shows-that for all of their beauty, they didn’t have a lot of substance-is giving way to praise for series with compelling narratives. That’s risky at a time when many viewers are interested in rewatching old favorites.īut now, more than two and a half years removed from launch, Apple TV+’s library is steadily growing, and the streaming service even has an Emmy-winning comedy ( Ted Lasso) under its belt.
Everything it produced or co-produced for its new streaming service was and is fresh. Unlike Netflix, Hulu, and especially IP-branded streamers like HBO Max and Paramount+, Apple TV+ came out of the gate without a history of productions under its belt. On the other hand, Apple TV+ didn’t have much of a library.
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On the positive side, it had brand recognition and could easily offer its service for free to those who bought new Apple devices (a deal that is, as far as we know, still going on). When Apple TV+ launched in late 2019, it did so with a major advantage and a major disadvantage.
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